ART TORONTO 2018 – Canada’s International Contemporary Art Fair

Oct 26—Oct 29, 2018
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  • Ron Bolt – Outport Spring

    Oil on Board
    18” x 36”
    2018

  • Ron Bolt – Nobody Home

    Oil on panel
    18” x 36”
    2018

  • Ron Bolt – Room With a View

    Oil on panel
    18” x 36”
    2018

  • The Green Chair 2 (Ed. 1/3)

    Pigmented ink on Hahnemuhle Satin Ultra Smooth paper
    27” x 40.5”
    2018

  • 50 year chair # 1

    Acrylic ink and India ink on Mylar
    36” X 30”
    2018

  • Will Gill 50 year chair # 2

    Acrylic ink and India ink on Mylar
    36” X 30”
    2018

  • Blackhead Magic

    Will Gill

    Acrylic ink and chalk pastel on Grafix drafting film
    36 × 44″
    2017

  • Will Gill – Fluid Nature and Door Knob

    Acrylic ink, chalk pastel and graphite on Grafix drafting film
    18″ × 24″
    2016

  • Will Gill – Plumbing

    Acrylic ink, chalk pastel and graphite on Grafix drafting film
    18″ × 24″
    2016

  • Will Gill – Laser Show at EE

    Acrylic ink and chalk pastel on Grafix drafting film
    18" × 26"
    2017

  • Mike Gough – The Places We Knew 1

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – The Places We Knew 2

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – The Places We Knew 3

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – The Places We Knew 4

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – The Places We Knew 5

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – The Places We Knew 6

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – The Places We Knew 7

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • The Places We Knew 8

    Mike Gough

    Acrylic, pastel, and graphite on panel
    20 × 20″
    2018

  • Mike Gough – The Places We Knew 9

    Acrylic, pastel, and graphite on panel
    20” X 20”
    2018

  • Mike Gough – Night Shore

    Acrylic, pastel, and graphite on canvas
    48" × 60"
    2018

  • Kym Greeley – It’s Later Than You Think

    Acrylic on canvas with screenprint
    40" × 60"
    2016

  • Kym Greeley – I'll Never Be The Same

    Acrylic on canvas
    16" × 24"
    2017

  • Kym Greeley – Lover

    Acrylic on canvas
    18" × 26"
    2017

  • Kym Greeley – Lost in Thought

    Acrylic on canvas
    16" × 24"
    2017

  • Kym Greeley –  Need a Change

    Acrylic on canvas
    18" × 26"
    2017

  • Kym Greeley – Move To A Town That’s Right For Me

    Acrylic on canvas with screenprint
    40" × 60
    2017

  • John Hartman – Adam Naming the Plants and Animals

    Ed. Trial Proof
    Drypoint
    6.75" × 10"
    1987

  • John Hartman – Apotheosis of Gilbert D.

    second state Ed. 3/10
    Drypoint
    8.5" × 12"
    1991

  • John Hartman – Apotheosis of Gilbert D

    Ed. 8/10
    Drypoint
    8.5" × 12"
    1991

  • John Hartman – Brule

    Unique proof
    Drypoint
    5.75" × 8.75"
    1985

  • John Hartman – Horse and Demon Vision

    Ed. 8/10
    Drypoint
    6" × 8.75"
    1985

  • John Hartman – Luke Talks with Jesus on the Telephone

    Ed.AP
    Etching
    6.75" × 10"
    1989

  • John Hartman – Margaret and Enoch

    Ed. 11/12
    Etching
    7.75" × 11.75"
    1989

  • John Hartman – Penetanguishene Harbour and Magazine Island

    Edition trial
    Drypoint
    6.75" × 9.75"
    1985

  • John Hartman – The Collapse of the Christian Mission to the Hurons

    Ed. 4/9
    Drypoint
    7.5" × 10"
    1985

  • John Hartman – The Artist's Home

    Ed. 9/10
    Drypoint
    8.75" × 12"
    1985

  • John Hartman – The Devil Appears to Steven W.

    Ed. 7/8
    Drypoint
    7" × 9.75"
    1988

  • John Hartman – The North Shore

    Ed. 9/10
    Etching
    7.75" × 11.5"
    1989

  • John Hartman – Richard Spade's House

    Ed. 6/10
    Drypoint
    6.75" × 9.75"
    1987

  • John Hartman – Pumping Oil

    Ed. 4/10
    Drypoint
    13.5" × 11"
    1988

  • John Hartman – After the Moose Hunt

    Ed. 6/10
    Drypoint
    9.5" × 6.5"
    1988

  • John Hartman – Scraping and Drying Skins, Roy M's House

    Ed. AP
    Etching
    10.75" × 13.5"
    1988

  • John Hartman – John Spade's Winter Camp

    Ed. 7/10
    Etching
    7" × 9.75"
    1988

  • John Hartman – The Kwondibens Family

    Ed. 3/10
    Drypoint
    13.5" × 11"
    1988

  • Jones Philippa – Forget Me Not

    Watercolour, Pen and Ink
    30” X 22”
    2018

  • Philippa Jones – Weighted Down by the Past

    Watercolour, Pen and Ink
    30” X 22”
    2018

  • Jones Philippa – Death Becomes Us

    Watercolour, Pen and Ink
    30” X 22”
    2018

  • David Kaarsemaker – They Went Forward Into its Denseness

    Oil and acrylic on canvas
    18 x 24
    2018

  • Girt With Rough Skins

    David Kaarsemaker

    Oil and acrylic on canvas
    18 × 24″
    2017

  • David Kaarsemaker – The Round of Space

    Oil and acrylic on canvas
    28” x 28”
    2018

  • David Kaarsemaker – Life Rose and Spouted From the Rolling Seas

    Oil and acrylic on canvas
    36 x 36
    2018

  • David Kaarsemaker – Where the Dim Trail Died Ahead in the Watery Horizon

    Oil and acrylic on canvas
    18” x 24”
    2017

  • David Kaarsemaker – Upon Every High Mountain and Under Every Green Tree

    Oil and acrylic on canvas
    12” x 16
    2018

  • David Kaarsemaker – Hies to the Deserts Wild

    Oil and acrylic on canvas
    12” x 16
    2018

  • David Kaarsemaker – Staggered to Silence

    Oil and acrylic on canvas
    12” x 16
    2018

  • Green Trees

    Charles Meanwell

    Oil on panel
    14 × 14″
    2018

  • Lake and Trees

    Charles Meanwell

    Oil on panel
    14 × 14″
    2018

  • Driftwood

    Charles Meanwell

    Oil on panel
    14 × 14″
    2018

  • Shed

    Charles Meanwell

    Oil on panel
    23 × 23″
    2018

  • Tall Grass

    Charles Meanwell

    Oil on panel
    23 × 23″
    2018

  • Guide Wires

    Charles Meanwell

    Oil on panel
    23 × 23″
    2018

  • Robin Smith Peck – Belliedancing 1

    Collage, beeswax and resin on panel
    24" × 48"
    2017

  • Robin Smith-Peck – Belliedancing 3

    Collage, beeswax and resin on panel
    24" × 48"
    2017

  • Yellow Ochre Calm Day

    Ned Pratt

    Chromogenic print
    33" x 46.25"
    2018

  • Tourism

    Chromogenic print
    33" x 46.25"
    2018

  • Peter Wilkins – The Smiths, The Queen is Dead

    C Print on mounted plexiglass
    14" × 14"
    2015

  • Peter Wilkins – Massive Attack, Blue Lines

    C Print on mounted plexiglass
    14” × 14”
    2015

  • Peter Wilkins – New Order, Power, Corruption, Lies

    C Print on mounted plexiglass
    14” × 14”
    2015

  • Peter Wilkins – Bee Gees, Saturday Night Fever

    C Print on mounted plexiglass
    14" × 14"
    2015

ART TORONTO 2018
October 26 – 29

Since 2001, the Christina Parker Gallery has participated in Canada’s most exciting annual exhibition of International Contemporary Art. For the 2018 edition of Art Toronto, new work by gallery artists is featured as well as a selection of important drypoints and etchings  from the mid 1980 – the early 1990’s by John Hartman. The early drypoints and etchings were seminal works that strongly influenced developments in the artist’s work.

Booth C38
Metro Toronto Convention Centre
www.arttoronto.ca

 

EXHIBITING ARTISTS

Ron Bolt

Will Gill

Mike Gough

Kym Greeley

John Hartman

Philippa Jones

David Kaarsemaker

Charles Meanwell

Robin Smith Peck

Ned Pratt

Peter Wilkins

Artists associated with this exhibition