Philippa Jones

  • Mixed Media
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  • The rocks rose around you like a geometric sky

    Ink and watercolour on paper
    24.75" x 16.75"
    2017

  • Towers for Survival

    Ink and watercolour on paper
    27.5" x 20"
    2017

  • Erosions Bridge

    Ink and watercolour on paper on panel
    16" x 12"
    2017

  • Window to Silent Spring

    Ink and watercolour on paper
    40" x 30"
    2016

  • Frozen Eruption

    Ink and watercolour on paper
    28.25" x 20.5"
    2015

  • All points lead nowhere everywhere

    Watercolour, ink on arches paper, 44” x 32.5”, 2016

  • This one pinnacle of intersection permits entry to the core

    Watercolour, ink on Fabriano paper, 42” x 29.5”, 2016

  • Nothing ventured nothing gained

    Watercolour, ink on archival paper, 28” x 19.5” , 2016

  • Philippa Jones, Every moment is a life and death scenario

    Watercolour, india ink on archival paper
    40" x 31"
    2016

  • The Expanded Place

    Watercolour and ink on Fabriano paper mounted on birch mounted on merranti
    96" x 144"
    2016

  • The Expanded Place (Installation Image)

    Watercolour and ink on Fabriano paper mounted on birch mounted on merranti
    96" x 144"
    2016

  • A Hare’s Breath in Time

    resin, ceramic
    12” x 4.5” x 8”
    2016

  • Philippa Jones, Growing inside the within without

    Oil Paint, Acrylic paint, ink, velum and epoxy resin on panel, 11.625" x 11.625", 2016

  • Cave of static time deposits

    Oil Paint, Acrylic paint, ink, velum and epoxy resin on panel, 9.5" x 9.5", 2016

  • Between the layers of time and space I can see it

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” × 9.5”, 2016

  • Philippa Jones, Gossamer threads of light and time

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 17.5" x 17.5", 2016

  • Specimens documenting the effect of slow time emtombment on life 3

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” x 9.5”, 2016

  • Specimens documenting the effect of slow time emtombment on life 2

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” x 9.5”, 2016

  • Specimens documenting the effect of slow time emtombment on life 4

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” x 9.5”, 2016

  • Specimens documenting the effect of slow time emtombment on life 5

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” x 9.5”, 2016

  • Specimens documenting the effect of slow time emtombment on life 6

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” x 9.5”, 2016

  • Specimens documenting the effect of slow time emtombment on life 7

    Oil Paint, Acrylic paint, ink, and epoxy resin on panel, 11.5” x 9.5”, 2016

  • Specimens documenting the effect of slow time emtombment on life 8

  • Tracing Evaporation

    Ink and watercolour on paper mounted on panel
    16" × 12"
    2015

  • gravity was an external force removed by unknown means

    Ink and watercolour on paper
    22" x 49.25"
    2015

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